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Mr. Hickey took rapidly to instructing, and to his new hometown. Town appeared to embody all the things he dreamed of for a democratic tradition — artwork galleries nestled beside big casino-hotels, opera singers buying and selling phases with lion tamers, and all of it filtered by means of the hustle and bustle of commerce.
“Las Vegas is a risk-oriented tradition,” he informed The New York Times in 2002. “In case you’re not taking any probabilities, you’re not having any enjoyable.”
He married Dr. Lumpkin in 1993. She taught alongside her husband on the College of Nevada, Las Vegas, for a number of years, and in 2010 they moved to the College of New Mexico and settled in Santa Fe.
Alongside along with his spouse, he’s survived by his brother, Michael Hickey.
Going through well being issues, Mr. Hickey retired from instructing in 2012. However he stored writing, together with on Fb. Two edited collections of his posts, “Wasted Phrases” and “Mud Bunnies,” appeared in 2016. One other guide, “25 Girls: Essays on Their Artwork,” additionally printed in 2016, raised the eyebrows of those that nonetheless seen him as an unreconstructed male chauvinist.
And he continued to poke again in any respect the forces and establishments that he insisted had ruined the artwork world he had often known as a youthful man. He held identification politics specifically disdain, he informed The Los Angeles Occasions in 2014, for dividing in any other case like-minded individuals into antagonistic classes.
“Identification politics tribalized the artwork underground and broke up the dissonant tone of it — a tribe of ladies, a tribe of Black individuals, a tribe of homosexual individuals,” he mentioned. “It was once all of us, collectively, simply down within the grime.”
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